Du Maurier worked for periodicals which buried in a back number each phase of his work as it came to an end. Thus it is that he is, unfortunately, chiefly now remembered by the last -- the most accessible, but not by any means the finest -- period of his work. The present book is an attempt to correct this and to bring forward du Maurier's name again in the light of his earlier achievement. No book on the artist, however, would be complete which omitted all reference to his literary attainment; nor would it be in order in an essay of this extent not to seek to demonstrate that connection which always exists between the life and the work of an artist of distinctive temperament. The author has endeavoured, in the chapter devoted to outlining the main incidents of du Maurier's career, to regard the feeling of his representatives that the autobiography of the novels is itself so complete and sensitive as scarcely to call at present for anything supplemental. He wishes to acknowledge the kindness of the artist's family in lending him portraits, sketch-books, and manuscript with the permission for reproduction; also of Mr. W. Lawrence Bradbury, so zealous a guardian of all that redounds to the fame of his great journal, for every kind of assistance; and of Sir Francis Burnand, du Maurier's Editor and comrade, for letters assisting him to form an impression of du Maurier in the flesh. Messrs. Smith, Elder & Co. have also been generous in allowing the reproduction of the four drawings included here, which appeared originally in the Cornhill Magazine. The author only wishes that he felt that what he has written more justified this consideration from everyone who was approached in connection with his undertaking.

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